Tag Archives: tada

Interview, Translation

Aikido Shihan Hiroshi Tada: The Budo Body, Part 4

Comment

Hiroshi Tada (3rd from right) at the 40th Anniversary of Aikikai SwitzerlandWith the Mayor of Neuchâtel and Ambassador and Mrs. Ichiro KomatsuFrom Aikido Shimbun number 585, published October 10th 2009
This is part 4 of the English translation of an interview in Japanese with Hiroshi Tada. You may want to read Part 1 first to learn about Tada Sensei’s samurai ancestry and his encounters with Shotokan Karate Founder Gichin Funakoshi, Part 2 to learn about how Hiroshi Tada met Shin-Shin Toitsu-Do Founder Tempu Nakamura, and Part 3 to learn Tada Sensei’s thoughts on "telepathy" training.You may also be interested in "The Day I Entered Ueshiba Dojo", in which Hiroshi Tada recounts his first encounter with Aikido Founder Morihei Ueshiba O-Sensei.You may notice that the tone of the interview is quite conversational. This is the way that it appears in the original Japanese – the original was not heavily edited, with the result being that the natural conversational tone was preserved. However, this also means that the discussion is sometimes less focused then a more heavily edited interview might be.

Interview, Translation

Aikido Shihan Hiroshi Tada: The Budo Body, Part 3

Comment

Hiroshi Tada cutting bamboo at a Tempukai summer training camp, 1959
One of Hiroshi Tada’s teachers, Tempu Nakamura, was famous for his bamboo cutting training. The bamboo was suspended from hollows cut into two strips of paper, which in turn hung from two upturned knives held by two assistants. The bamboo would be split without ripping the suspending top and bottom holes in the strips of paper. Koichi Tohei also continued this training method, as explained by his son Shinichi Tohei.
This is part 3 of the English translation of an interview in Japanese with Hiroshi Tada. You may want to read part 1 first to learn about Tada Sensei’s samurai ancestry and his encounters with Shotokan Karate Founder Gichin Funakoshi, and part 2 to learn about how Hiroshi Tada met Shin-Shin Toitsu-Do Founder Tempu Nakamura.You may also be interested in "The Day I Entered Ueshiba Dojo", in which Hiroshi Tada recounts his first encounter with Aikido Founder Morihei Ueshiba O-Sensei.

Interview, Translation

Aikido Shihan Hiroshi Tada: The Budo Body, Part 2

4 Comments

The Shinbuden martial arts hall in Shinkyou, Manchukuo – 1942
This is part 2 of the English translation of an interview in Japanese with Hiroshi Tada. You may want to read part 1 first to learn about Tada Sensei’s samurai ancestry and his encounters with Shotokan Karate Founder Gichin Funakoshi.In this section Tada begins to explore his relationship with Tempu Nakamura, who was also a great influence on Shin-Shin Toitsu Aikido Founder Koichi Tohei.

Interview, Translation

Aikido Shihan Hiroshi Tada: The Budo Body, Part 1

Comment

Hiroshi Tada Sensei in his twenties
These three Budo "tips" came from Hiroshi Tada in a lecture that he gave in Italy in 2002:
1) An Aikidoka should be able to consistently cut down an opponent with the first blow. This it the true Budo aspect of Aikido. It is precisely because we are confident that we will always able to do this. This confidence gives us two things, our strength and the ability to choose a less deadly outcome, both of which we should have as a prerequisite to our training.2) When you look at your opponent, he becomes the center of your Aikido, causing you to stop. When you practice, observe where your eyes tend to look. You should be the center of your movement, so when you move, you should see all around you. The question is how far can you see around you? half a meter? 1 meter? 3 meters? 5 meters? As far as your eyes can see, that is the sphere of your control. Once someone enters the sphere of your control, he is drawn to you as the center of that sphere. When O-Sensei would hold a session, one would notice that it was hard to see where he was looking, as if his eyesight was looking outside of the dojo.3) A sword blade is useless if it is not moving. Once a blade starts moving, it should never stop moving or slow down too much. If an opponent can count the fingers on your hand (1,2,3,4,5) then it means you’re moving too slow. In the same way, once your tegatana starts moving, you should move in such a way that your opponent will never be able to count your fingers.
When I first met Hiroshi Tada at the Aikikai Hombu Dojo in 1982 he was quite a bit older than in the picture above, but his appearance was startlingly similar, and his gaze just as piercing as his tips for success above would suggest.

Translation

Aikido Shihan Hiroshi Tada: The Day I Entered Ueshiba Dojo

1 Comment

Hiroshi Tada, 6th Dan, being thrown by Aikido Founder Morihei Ueshiba O-Sensei (1958)
Hiroshi Tada was born in Nagasaki Prefecture, Japan December 13th 1929. He began training at Aikikai Hombu Dojo on March 4th 1950. He was sent to Rome, Italy in October 1964 and established a dojo in 1966. He was Instrumental in the growth and development of Aikido in Italy.Until he left for Europe in 1964 he also studied breathing exercises and yoga with Tempu Nakamura, who is well known for his influence on Shin-Shin Toitsu Aikido (心身統一合氣道) Founder Koichi Tohei. He also studied with the Ichikukai (一九会), which was founded to continue the teachings of Tesshu Yamaoka by his student Tetsuju Ogura. The "1-9" Group was named to memorialize the day of the month (the 19th) on which Tesshu died, and is famous for its rigourous Misogi training.Hiroshi Tada later developed his own system of breathing and meditation exercises called Ki no Renma (気の練磨 / Cultivation of Ki) as a supplement to Aikido Training. The following article is a translation of the Japanese article that originally appeared in "Aikido Tankyu" (合氣道探求 / Aikido Quest), a magazine published by the Aikikai Hombu Dojo.