Category: Essay

  • Aikido without Peace or Harmony

    Aikido without Peace or Harmony

    Budo Hiketsu Aiki no Jutsu

    Cover of “Budo Hiketsu Aiki no Jutsu”
    (“Secret Methods of Budo Aiki no Jutsu”)
    Published in Meiji Year 33 (1900)

    Dude, where did the love go?

    Aikido is often known as the “Art of Peace” or “The Way of Harmony”. Sometimes it is described as “The Way of Harmonizing Ki”.

    “Do” of course, is “The Way”, and the word “Ki” is so common these days that it can probably stand just as it is.

    Then we have “Ai” – which means neither peace nor harmony.  (more…)

  • Aikido and the Structure of the Universe

    Aikido and the Structure of the Universe

    Morihei Ueshiba Lectures

    Morihei Ueshiba Lectures

    Ichirei Shikon Sangen Hachiriki / 一霊四魂三元八力

    In “Kiichi Hogen and the Secret of Aikido” we traced a connection between what Aikido Founder Morihei Ueshiba cites as one of the “Secrets” of Aikido and Chinese military strategy. In “Morihei Ueshiba, Budo and Kamae” we traced a connection between a section of the technical manual “Budo”, published in 1938 by Morihei Ueshiba, and certain very common concepts in Chinese martial arts.

    Of course, there’s more, a lot more, threaded all through Morihei Ueshiba’s lectures and essays. Once the connections are laid out I think that this will become clear – even obvious. What will also become clear is the training methodology being laid out, in no uncertain terms, by the Founder.

    For a start, Morihei Ueshiba would often say that “Ichirei Shikon Sangen Hachiriki” (“One Spirit, Four Souls, Three Origins, Eight Powers”) represented the basic structure of the Universe, and the basic structure of Aikido.  (more…)

  • Aiki Budo is the Way of Human Development – Part 2

    Aiki Budo is the Way of Human Development – Part 2

    Calligraphy by Minoru Harada

    Calligraphy by Minoru Harada, October 1st 1984

    The philosophy of Aikido…maybe?

    In the previous blog post, “Aiki Budo is the Way of Human Development“, I quoted from a scroll by Daito-ryu Aikijujutsu instructor Yukiyoshi Sagawa.

    While browsing through some books that I hadn’t looked at in a while I came across the example above, which is also relevant to the discussion.  (more…)

  • Aiki Budo is the Way of Human Development

    Aiki Budo is the Way of Human Development

    Sagawa Scroll

    Aiki Budo is the Way of Human Development

    The philosophy of Aikido…maybe?

    I was looking through Kisshomaru Ueshiba’s books “The Spirit of Aikido” and “The Art of Aikido” and I happened to notice that there is virtually no mention of Daito-ryu in either one. Of course, neither of them are historical works, but I thought it odd that there was no mention of the art that Morihei Ueshiba has studied for over 20 years, the only art that he was ever licensed to teach, the only art (outside of his own) in which he ever issued certificates of rank.

    OK, moving along to “Best Aikido“, written by Kisshomaru Ueshiba and Moriteru Ueshiba. In this one there is a short mention of Daito-ryu as one of the many arts that Morihei Ueshiba studied, but no mention is made of the relative depth of study of those arts – the section entirely fails to note the fact that, with the exception of Daito-ryu, all of those arts were studied for very brief periods of time.  (more…)

  • Morihei Ueshiba, Budo and Kamae Part 2

    Morihei Ueshiba, Budo and Kamae Part 2

    John Stevens Aikido Hawaii

    John Stevens at the Aikido Celebration 2011 banquet in Honolulu, Hawaii

    A note from John Stevens

    The other day (February 27th 2012) I posted a blog here entitled “Morihei Ueshiba, Budo and Kamae“. In that article I cited a quotation of the John Stevens translation of Budo, “Budo: Teachings of the Founder of Aikido“.

    John Stevens has asked that I post a response from here, which I will do, along with my own response.

    Note from John Stevens:

    I was guided through the entire text of Budo by Shirata Rinjiro. Shirata Sensei demonstrated each technique on me, and gave me his interpretation of the book’s instructions. (In other words, I received kuden “secret transmission.”) I also had access to Shirata Sensei’s annotated copy of Budo. (It was the photocopy. The original that Sensei had received from Morihei disappeared in the chaos of WWII.) Regarding the passage in question, Sensei and I talked at length about the concept of roppo kamae. The term “flexible” was chosen to describe a good stance that is vital and solidly rooted yet at the same time a stance that allows one to respond immediately to any contingency. “Flexible stance” was also meant to include the sense of “whirling,” “swirling,” “twirling.”

    Shirata Sensei—who received direct instruction from Morihei on the matter–interpreted a roppo kamae as one where the outer foot and the inner foot are opened at a 60-degree angle, as opposed to a 90-degree front foot and a 45-degree back foot. The roppo kamae is the basic stance that Morihei and Shirata Sensei assumed. It the same kamae I try to assume as I train and teach. This roppo kamae is nearly impossible to explain in words so one has to rely on, as Budo says, “oral instruction.” In fact the entire book needs to be explained by “oral instruction” from a qualified instructor (which Chris certainly is not.) In the final analysis, however, this principle should never be forgotten when discussing kamae: “If your mind is true, your kamae is correct.”

    Honestly, reading through this response hasn’t really changed my thoughts as expressed in the original blog posting.

    If you have a certain knowledge and background, then I think that his response really only strengthens the arguments that I made originally. If you don’t, then maybe that won’t be the case.

    In either event, I hope that everybody will take this as a chance to re-think and re-examine the assumptions that they have held in the past.

    Total AikidoFrom “Total Aikido”, by Gozo Shioda and Yasuhisa Shioda

    I will make a couple of points:

    1. The only major Aikido style that I am aware of that still uses the term “Roppo” on a regular basis (the Yoshinkan – whose founder also received direct instruction from Morihei on the matter) actually keeps their feet at a 90 degree angle. Somewhat similar, but more angled, to the 90 degree foot position in “Shumoku no Ashi” which other direct students of Morihei claimed to have seen (enough of that – I’m really not trying to advocate for a particular foot angle).
    2. Further, Gozo Shioda made a very clear statement about “Roppo” in his book “Total Aikido” (page 30): Originally, there was no position in Aikido that might have been called a “basic stance”. The founder, Morihei Ueshiba Sensei, while saying that the basic stance was “to open your feet to the six directions [north, south, east, west, up, down],” also wrote, “The complete kamae is what arises from where the gods lead you, depending on time, situation, the lie of the land, the spirit of the moment – kamae is what is in your heart.” [from Budo], so that the explanation for the real battle is to adapt to the circumstances that you are in.
    3. The term as used most commonly in Kabuki (this was actually cited, if you remember, in Morihiro Saito’s commentary on “Budo”), uses it in the sense of six directions of the compass (up, down, east, west, north, south) – not the angle between the feet.
    4. The response to the issue of “Roppo” is basically that it represents a hanmi of 60 degrees instead of 90. Do people really spend 30 or 40 years training daily in order to condition a difference of 30 degrees? Is that really the “secret” of the Aikido kamae? Might it not be possible that there is a different, deeper, type of conditioning being referred to?
    5. Morihiro Saito’s commentary on “Budo” has a portion of the original Japanese text, the John Stevens translation of “Budo” has none of the original text at all. I included the complete original text in Japanese – everybody is free to examine it and decide for themselves.
    6. I don’t know whether I’m a “qualified instructor” or not – and neither does John, who has never seen me teach anything, has never been to our dojo, has never seen our training. We’ve never really even touched hands, except in the pre-arranged uke-nage format of an Aikido class, and even that was really only a few times (I don’t remember exactly, but less than five). I’ve been training in Aikido for more than 30 years, and I’ve had some very fine instructors – I hope that I do them at least some justice.

    In closing, here is a comment on the blog posting that was posted (publicly) to Google+ and my response (both posted a week before I received John’s response). It more or less summarizes what I was trying to accomplish.

    Feb 28, 2012

    Great article. I have long felt that John Stevens is a well intentioned but unreliable translator. My knowledge of Japanese is very low, but when I have heard other interpretations of texts that Stevens has translated, I have always felt there was more depth in the text than Stevens is willing or able to present.

    One of the problems is that Stevens is sometimes presenting his own technical interpretation as translation. In other books, he has said that the 60 degree angle stance can be observed in photos and films of Morihei Ueshiba, but this appears to be original research on his part. I see this as presenting ones own teaching as O Sensei’s.

    As long as the translators are also prominent teachers or representatives of prominent teachers, these kinds of problems will creep in. The temptation to insert one’s own understanding, often well earned, for the intention of the author is too strong.

    Feb 28, 2012

    Christopher Li – John’s quite knowledgeable, he’s also a friend of mine and lives (literally) down the street from me, so I’m really not talking smack about him (even though that may appear to be the case).

    John has always said that his goal was about providing access to the widest range of people possible. He’s done that so well that there are some sources (“Budo” for example) that are available in English, but not in Japanese!

    On the other hand, that means that he’s had to make certain choices in translation to make things more or less understandable for a general audience – a “lite” version, so to speak. That doesn’t mean that the translation is necessarily bad – but that you have to understand the limitations under which it was done.

    Any translation is going to be seen through the lens of the translator’s opinion, mine as much as John’s, so what we really need are more translations and more examination rather than acceptance by the population of a single version or versions as canonical.

    Anyway, glad you enjoyed it! There should be more interesting things to come.

    And I hope everybody enjoyed this follow-up as well! Still more interesting things to come…


    Christopher Li – Honolulu, HI